""It is impossible for me to write about the imagination; it is like asking a fish to describe the sea," Ruefle announces before proceeding to do just that. Marshaling Wittgenstein, Jane Goodall, Gertrude Stein, Jesus, and Emily Dickinson, alongside Ukrainian Easter egg dyeing traditions and teddy bear tea parties, Ruefle presents a curio cabinet of the human imagination's boundless forms"--

Since Heather McHugh first began publishing her poems in 1968, poetry readers have marveled at the immensity and range of her gift. There seems to be nothing that McHugh can't do with words and do with high wit and sonic brilliance. In her chapbook Feeler, McHugh takes on the fraught subject of empathy-how much we feel, and do, for the afflicted. It also addresses the relation between thought and feeling: "Nowadays I cannot tell/ the two apart: can't...

In Brood, Kimiko Hahn trains her eye on the commonplace-clothespins, bees, papaya, perfume, poached eggs, a sponge, fire, sand dollars-and reveals their very essence in concise evocative language. Underlying these little gems is a sense of loss, a mother's death or a longing for childhood. "Brood" connotes the bundling of family or beasts, but also dark thinking, and both are at play here where the less said, the better. Kimiko Hahn is the author...